How To Enter The Secret World Of Animation

If you’re interested in getting into animation or film, here’s a Kickstarter you might want to support. My friend, the animator, Stu Gamble, says:

I come from a background where I didn’t have the opportunity to go to university to learn the production process. In fact when I was younger there really wasn’t any wide availability for professional production education. I couldn’t seem to find work placement or get into the industry in general. All I had was a burning passion to make film since I was a small child.

Of course it’s all different now. There are plenty of opportunities to learn the myriad production techniques that fill the media world. But what I still find is that its still incredibly difficult to get any first hand knowledge of how a production works. There’s lots of puff pieces and snippets of tutorials here and there but there’s been no real substance as far as a project is concerned.

This is where our Kickstarter campaign comes in. I’m incredibly happy to be able to offer the complete work files of the project in a perk. It includes all designs, storyboards, animatics and edit files, animation source files, live action plates, composite files and final sound and outputs. There will also be a short documentary that explains the production process and how we do things. It’s my opportunity to give something back and open up a professional production to an audience that wants to know what goes into making some great animation.

Grief Encounters is a series of animated shorts that brings to life the art of animated surrealist Luke Chueh.  This project explores these narrative conundrums by animating some of the most iconic paintings from Chum’s portfolio, reimagining the worlds within whilst weaving narratives that stay true to his unique blend of comedy and tragedy.

Kickstarter campaign:

Target animation:

Stu’s website:



The Black Lodge

Unbelievably, this was primetime TV in the US and UK back in the early nineties, seven minutes of a man standing in a room, yet still creepy and nightmarish. And now we have Downton Abbey. Sigh.

Posted because I love Lynch, and this year sees the twentieth anniversary of the movie, Twin Peaks: Fire Walk With Me, one of my favourite films.

Sucker Punch Review

I have a different take on this from many others. I…enjoyed certainly isn’t the right word…but I *appreciated* the film. I have to use a completely different set of standards to judge Sucker Punch because the director, Zack Snyder, eschews the traditional way of telling a cinematic story to get his point/theme/subtext across. By any storytelling yardstick it looks a mess at first glance – strange logic, cardboard characters, frankly baffling narrative lines. But I found when I stepped back from that and looked at it from a different perspective I thought it was very, very good indeed.

As background, I’m always hooked by films, TV shows and books where the viewer/reader has an important part to play in deciphering the story. Muholland Drive (or any Lynch film, really), Inception, The Prisoner, House of Leaves. Cracking the code gives me as much of a thrill as what’s playing out before my eyes.

Sucker Punch has a lot going on in its warped Wonderland. There are very few touchstones where you can connect with the real world. And that’s part of the director’s theme. (SPOILERS AHEAD) One reading is that *nothing* in the film is real – it opens under the proscenium arch with the curtain drawn back on what is clearly a stage. I can understand how that would turn a lot of people off.

The movie connects with a zeitgeisty theme that runs from BSG, Lost, Ashes to Ashes, Inception, through Sucker Punch and, possibly, into Source Code. One suggestion is that the whole film is a view of hell or purgatory (many critics would agree!) ruled by a devil and many demons from which one girl is trying to escape – the final scenes suggest this to be true. The characters are cardboard in the way that Alice in Wonderland’s characters are cardboard – what it is saying is more important.

Part of the problem for the reception must be laid at Warners’ door. The trailers missold the film to an epic level. Most of the scenes in these trailers come from four sequences amounting to…what…20 minutes? of the film and are the least interesting parts. They’re all symbolic. Sucker Punch is truly a grim film, dealing with the brutalisation of women in a male-dominated society. It’s not empowering as such, more a comment, which does make for a difficult watch. The only escape comes through death. No wonder Warners had trouble selling it.

Nor is it exploitative – one thing several critics have picked up on. I have no idea how they can say that having seen the film. The women may wear fetishistic clothing, but the grimness of their experience strips away any titillation. Their sexualisation becomes truly sad in the end.

I can understand how Sucker Punch won’t appeal to a broad audience. But I’m sure we all have films we love that everyone else hates (I will defend Southland Tales to the death). For me this is a singular if flawed vision that I will revisit many times.

Nightmares For Halloween # 3 – Three Movie Choices

…or three horror films I really love, but which rarely get a nod in all the lists of Scary Movies circulating at this time of year.

NIght of the Demon
My favourite horror film, and in my list of favourite films of any genre. No other movie captures such an atmosphere of dread, from the very first scenes and then growing in intensity across the entire story. Based on M R James’ short story, Casting the Runes, Night of the Demon looks luminous, with director Jacques Tourneur contrasting the deepest blacks with unsettling bursts of light.

Black comedy that also manages to be truly horrific. Based on H P Lovecraft’s story, Herbert West – Reanimator, the core of the film is a hypnotic, barking mad performance by actor Jeffrey Coombs.

Quatermass and the Pit
One of the few Hammer films that still stands up well, this film about the British scientist hero’s encounter with primal fears really unsettled me as a kid. A remake of a TV serial, the success of the movie lies more with original creator Nigel Kneale’s ideas – the true source of supernatural horror – than any acting or directing here.

Movie Watching Update

Movies viewed this year so far, in no particular order:

Shutter Island, Inception (x2), Toy Story 3, 2012, The Wrestler, The Girl with the Dragon Tattoo, Sherlock Holmes, Shrek Forever After, The Age of Stupid, The Reader, The Taking of Pelham 123 (new version), Duplicity, The Boat That Rocked, Zombieland, The Princess and the Frog, The Imaginarium of Doctor Parnassus, The Fantastic Mr Fox, Paranormal Activity, 24 Hour Party People, Adventureland, District 9, 500 Days of Summer, Triangle, Mesrine Parts 1 and 2, A Perfect Getaway, Antichrist, The Hangover, Flawless, Night at the Museum 2, Moon, Nick and Norah’s Infinite Playlist, Drag Me To Hell, Monsters Vs Aliens, The Damned United, State of Play, Revolutionary Road, Brandy for the Parson, Friday the 13th parts 1-7, Miller’s Crossing, Coogan’s Bluff, Donkey Punch, The Killers, Psycho IV, Kick-Ass, Avatar, A Christmas Carol, Iron Man 2, Seven Samurai, A Day at the Races, Go West, The Big Store, A Night at the Opera, A Night in Casablanca, At the Circus.

And re-watched: The Man Who Wasn’t There, Rear Window, How to Steal a Million, Paint Your Wagon, The Gauntlet, No Country For Old Men, Fargo, Raising Arizona, Contact, The Da Vinci Code, Angels and Demons, The Fearless Vampire Hunters, The Dark Knight, Whatever Happened To Baby Jane? Zodiac, Creepshow, 10,000 BC.

And a few more I’ve forgotten.